Book Release!

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Dear Readers,

It is finished! So Others May Live is now out in ebook and paperback. Hardback and audio book to follow. It has been a long road (two years) and the book went through multiple drafts (8), but now it emerges onto the world stage. I have to admit I’m a bit nervous, as even the best books get nasty reviews from some people, but I’m also happy it is finally done. Exhausted, yes, but happy.

So happy reading! And thank you all for taking this journey with me.

L.H.

 

Pride in the Job

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Dear Readers,

Yesterday I found out that I have been walking around with a broken back (literally) since my fall in January. I have a compression fracture at the L3/L4 level. That’s above the two levels I destroyed in 2012 which led to my retirement. It is a stable fracture, so I just have to give it time to heal and suffer quite a bit in the meantime. Though everyone talks about the “Opiod Crisis”, what they don’t tell you is that all of the restrictions on getting the medications don’t actually have an impact on illegal drug users, but those with a legitimate medical need (because their f—–g back is broken), can’t get adequate pain control. But I digress.

Since my original injuries are due to the fire service, I’ve been reflecting a little bit on my career and what it meant or means to me. When I was a young kid, new to the job, we’d make fun of the old school firemen we worked with. These were men who’d served in Vietnam and had 30 years on the job by the late 90s. They would sit around the table upstairs and bitch about the “youngsters” on the job and how much better it was “back in the day”. I would never consider myself old school now, but a conversation I had with a young firefighter the other day proved otherwise.

He was shocked when I told him how, back in the 90s, we could smoke in the fire station. These days, a lot of departments have gone to requiring all firefighters to be non-smokers, on duty AND off. Hell, I remember smoking a cigarette on the fire truck. En route to a fire. We didn’t wear our seat belts. We didn’t wear SCBA while doing salvage and overhaul. Our engines routinely went out with three person crews. In fact, my first engine was a 78 La France, which just so happens to be the year I was born. We did not hit it hard from the yard, we went in, found the fire, and put it out. Now, I’m not saying the old days were better. They were merely different. If anything, the increased awareness of things like job related cancer indicates that the job is finally starting to own up to the fact that just because putting out fires in dangerous, you can still mitigate a lot of the ancillary risks.

I had a student once ask me (during a lecture about the Triangle Shirtwaist Fire) if I would have preferred to work in 1911 or when I did. I had to think about it for a minute. There were pluses and minuses to both. Ultimately, the job really hasn’t changed all that much. Sure, we have more EMS calls than fires. But at the end of the day, we are still firefighters. The feeling a firefighter in 1895 had when responding to a reported building fire is no different than what I experienced in 15 years on the job. It’s a feeling like no other. Better than sex and as addictive as cocaine. And it is universal. I’ve met firefighters from different eras and different countries, but our bond transcends time and distance. Our shared pride in our jobs brings us together.

So no, I don’t really consider myself old school (despite the fact I wore a leather helmet and ate my share of smoke), but the main reason for that is because I could never manage to grow the legendary handlebar mustache required of all Old School Firemen.

L.H.

Of Books and Burns

Friends,

As I’ve previously written posts about my favorite books on topics as diverse as the Old West and the great works of Russian Literature, I thought I would turn my attention to another subject near and dear to my heart; the fire service. Novels about firefighting are not all that common, and indeed, only one makes my list here. Part of it is because the job isn’t simply rushing from one emergency to the next, which does make for exciting reading. For a novel to be realistic, it would have to cover training time, meals, and sleeping. Hardly compelling stuff. Furthermore, raging structure fires are not as common as they once were, and professional firefighters today spend more time running EMS calls than they do putting out fires. So the books that follow are mostly non-fiction memoir type books, with the exception mentioned above. These are not technical books about the job, but rather books about either the history of the fire service or the experiences of someone in it.

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The Bronx was burning before I was born. The men of Engine Company 82 fought a never ending battle against the red devil, responding to numerous fires each shift. Dennis Smith, a firefighter on Engine 82 also happened to be a talented wordsmith. His memoir, Report From Engine Co. 82 is a firefighting classic. Imagine if, rather than writing about World War One, Remarque wrote about life at what was, at the time, one of the busiest engine companies in the world. And that’s what this book is like. It is, perhaps, the greatest of all the firefighting memoirs and rises to the level of true literature. Smith wrote many books, including a novel called A Song For Mary which tells his story before he joined the fire department. He has also made contributions to fire service history. His History of Firefighting in America is an excellent, if somewhat hard to find these days, book. Recently, he penned a great book on the San Francisco earthquake and fire of 1906. But Report rises to the top of the crowded field of fire department memoirs.

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In graduate school, my research focused on the German Civil Defense system during World War Two.  I had the opportunity to interview German firefighters who worked during the firebombing raids from 1943-45. This ignited, pardon the pun, in me a lifelong interest in how fire departments cope with the strain of wartime conditions when they find themselves on the front lines. Burning Issues is a unique account because it describes the activities of the Belfast Fire Brigade during the early years of The Troubles. No other fire service in Europe or America has had to cope with what the Fire Service of Northern Ireland has. For thirty years, terrorism tore their relatively small country apart. As part of the establishment, the fire brigade tried to stay above the sectarian issues which divided the country, and responded to calls from both communities. The author does an excellent job writing about what it was like working in that kind of environment. This is a tough book to get a copy of now, but if you can find one, buy it.

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Larry Brown was a retired firefighter turned novelist from Oxford, Mississippi. His non-fiction book On Fire is a short but very interesting account of his time as a firefighter. It consists of a series of short vignettes which move from the humorous to the tragic, a fact which I think all of us current or retired firefighters can relate to. With a novelist’s skill, he tells stories which induce laughter and/or tears. Reading this book is rather like sitting around a campfire and listening to the author tell stories. It’s personal and engaging. Sadly, the author passed away several years ago, but he has left us with a great account of firefighting in the Deep South in the 70s and 80s. I’m sure William Faulkner would approve of this book.

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If you are in the market for a more scholarly look at the development of the American Fire Service, look no further than Crucible of Fire. The author describes some of the great conflagrations of the 19th Century and explores how they impacted fire departments of the 20th Century. It’s about lessons learned and applied. As such, it might not appeal to the general reader, though firefighters, historians, or both will find much to like about it. Firefighting in the United States is long on tradition unimpeded by progress, so sometimes it is nice to see where some of those traditions came from. Fire departments are made up of humans, and as such, we tend to learn from our mistakes, thus finding things out “the hard way”. This book is a great read for young firefighters, who I think need to know some of our shared history, no matter how boring it might seem to them. The fundamental goal of firefighting, putting the wet stuff on the red stuff, has never changed, even though our apparatus and gear has.

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3000 Degrees is the best book written on a single fire and the men who fought it. The author tells the tragic story of the 6 firefighters killed in the Worcester Cold Storage Fire in December of 1999. I was a young firefighter in Texas at the time, and I remember watching the news coverage of this fire. What the author does particularly well, is introduce you to the lives of the six men, so that when the unfortunate events occur, you can really feel the loss suffered by their families. It’s far more than just the story of a fire, it is an ode to those who answer the alarms, even knowing the risks they face. Not a terribly long read, it can be easily digested. It is also available as an Audiobook with an excellent narrator, so if that is more your cup of tea, you can enjoy it that way.

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My final book is the only work of fiction on the list. Chicago 1871 is both a science fiction novel and a historical one. The science fiction angle comes from the fact that the protagonist travels back in time to Chicago on the eve of the Great Fire. While I actually don’t much care for time travel books, this one is the exception. Once we arrive in the past, the author does an incredible job painting a portrait of the Chicago Fire Department in the 19th Century. The information about how they lived and fought fires is well researched enough to be like reading entertaining non-fiction. The action scenes are very well done, and you can almost taste the smoke. I’m a first generation firefighter, and my son has no desire to enter the profession and so I’ll be the only generation, and I have no personal connection with the firefighters of old, other than a shared job. Sometimes, the book made me wish I had worked back then instead of when I did. But to work back then, I’d have to live back then, and I rather like having access to antibiotics. There aren’t many firefighting novels out there, but this one is the best I’ve read. Feel free to check out the author’s page here.

So there you have it, Dear Readers. Hopefully you’ll check out some of these books and find them as interesting as I did. Being a firefighter is the toughest job you’ll ever love. My years on the job made me the person I am today, for better or worse. Until next time, enjoy your holidays and I’ll see you at the big one.

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L.H.

 

Florian’s Own: A Night Under the Bombs

 

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In war torn Berlin, the city relies on a mix of grizzled veterans of hundreds of fires and inexperienced kids fresh from training. This is the story of a single station on a single night as bombs fall and fires burn. 

As darkness descended upon the city, I made my way towards the fire station. It was an imposing three story stone building a few blocks west of the Tiergarten. Had it not been for three massive red doors, it could have been an apartment or office building. Rows of windows on the second and third floors faced the street. They glowed slightly in the fading light of the sun. I stood for a moment and took in the building before I knocked on the middle door.

It took a few minutes and three knocks, but eventually the door began to raise with a creaking noise. I found myself staring at the cab of a green Mercedes fire engine. Footsteps echoed on the concrete floor and a firefighter appeared from behind the engine.

“You must be the journalist,” he said, making the word journalist sound a touch profane. I replied in the affirmative and he said, “Name’s Frei. I drive the ladder truck.”

My eyes followed the direction of the thumb he used to point towards a shiny green truck with a turntable ladder.

Oberwachtmeister Weber is upstairs,” Frei said, “Follow me.”

We walked across the apparatus floor. The station smelled of smoke, mold, sweat, and diesel exhaust. Four brass poles along the far wall ascend upwards and disappeared into the floor above. The stairway in the back of the station rose so steeply that, for a moment, I felt as if I were climbing the Swiss Alps. The second floor consisted mainly of one large room with iron cots along both walls. A few sparse decorations hung on the walls, mostly pin-up girls and a few official posters. One was of a grinning skeleton hurling a bomb earthward. Large block letters proclaimed “The enemy sees your light! Blackout!” The cots were all made up in regulation military fashion with the sheets and blankets folded with precision. A large picture of Saint Florian, the patron saint of firefighters the world over hung next to the fire poles.

“The washroom’s over there,” Frei said as he indicated a hallway. “So’s the kitchen. Or what passes for one. Our water pressure isn’t great these days.”

We found Obermachtmeister Karl Weber sitting behind a cluttered desk in a small office just off the main room. The stirring sound of a military march drifted from a radio atop a metal file cabinet in the corner. He stood to shake my hand, insisting I call him Karl as he motioned me to sit.

“So,” he said as he lit a cigarette, “You are writing a story about the fire brigade. Why?”

I gave him my rehearsed response about wanting to showcase the heroism of those who labor under the bombs, attempting to save lives. Karl silenced me with a wave of the hand.

“We’re not heroes,” he said as he exhaled a cloud of blue smoke which formed a halo over his head, “We’re firemen.”

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The war weighs heavily on Obermachtmeister Karl Weber, station commander. “We’re not heroes,” he said, “We are firemen.” 

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Karl Weber is a man of medium height and the build of a middleweight boxer a few years past his prime. His brown eyes, with dark bags underneath, managed to look both amused and exhausted at the same time. Permanent creases line the corners of his mouth. A few flecks of gray around the temple made him look older than his thirty-three years. Karl grew up in the Charlottenburg part of Berlin, not too far from the fire station he now runs. From an early age, he found himself drawn to the fire service, more from the excitement and the nice uniform than anything else. In 1929 at the age of 19, he joined the Berlin Fire Brigade as an apprentice fireman.

In 1935, Karl enlisted in the army as a reservist. He has seen action in Poland, Belgium, France, and Russia. It was in the frozen hell of Stalingrad that a few pieces of shrapnel buried themselves deep into his hip, thigh, and knee. Doctors removed most of it, but the remaining shards of metal cause him to walk with a slight limp. After a long, difficult recover, Karl received a discharge from the Army and orders to return to Berlin, where a new war was being waged.

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After a few minutes of small talk, Karl and I walked out to the main room and joined the others around a table. A stack of magazines under one table leg kept it steady. I’d met Frei earlier. The other two, Baumann and Fischer, nodded as Karl made introductions. They eyed me warily as I sat across from them.

Just a few short years ago, in the relative calm before the war, this station had twelve men assigned to it, six per truck. Now they make due during the daytime with only two per vehicle. At night, the professional firefighters are joined by teenage auxiliaries, young men and women eager to do their bit for the war. Hastily trained and working under the guidance of experienced old hands like Karl, these youthful volunteers make up the frontline defenders of the citizens of Berlin.

“We’ve only just got our volunteers,” Karl said. “They haven’t really gone through a big raid yet, at least not as firefighters.”

“What is it like?” I asked. “Putting out fires in the middle of a raid.”

“Oh, it’s not so bad,” Karl replied. “If it’s a big enough fire, you don’t notice the bombs.”

We were interrupted by the sound of footsteps and laughter on the stairs. Four young men in ill fitting uniforms walked into the room. They carried their helmets tucked under their arms and had their gas mask cases slung over their shoulders. Four young women in baggy blue-gray coveralls followed them in. Karl gave them a few curt orders to put their gear on their assigned trucks and to start polishing the engines.

“Just because we are war doesn’t mean we go around looking like some voluntary fire brigade from the countryside,” Karl said. This is Berlin. A well polished engine indicates a well polished crew.”

I asked permission to follow the volunteers downstairs and Karl nodded his approval.

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Monika Schneider is a quiet, serious young woman of 17. She wears her long blonde hair in pig tails and regards the world with bright blue eyes. Her gaze penetrates you as if she is searching your soul, probing from your hidden fears and weaknesses. With increasingly large numbers of young women being drafted into war related occupations, Monika had a choice of either training to operate an 88mm antiaircraft battery or the fire service.

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Young women like Monika Schneider (right) have stepped forward to serve on the front lines of the air way. Their job? Save lives. 

“My older brother Gunter flew a Heinkel,” she explains as she wipes polish off the engine in a circular motion. “He was shot down and killed during a raid on London. I didn’t think  I could bring myself to shoot down some English girl’s brother. So I chose the fire brigade.”

After a two week course in which she and her fellow auxiliaries drilled on donning their gas masks until they could do it in their sleep, navigated obstacle courses to hone their agility, and lectures on the various types of bombs employed by the enemy, the were deemed ready for assignment. Their only experience with an actual fire came when they were allowed to spray water on a burning haystack. But there would be plenty more fires to come.

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In some ways, Fritz Kluge is a poster child for the new Germany. Born into a working class family near the center of the city, Fritz joined the Hitler Youth at age 10. He’s fifteen now, and has also had enough training to qualify him to help the fire brigade and to wear the coveted HJ firefighting patch on the sleeve of his coat. Fritz has a ready grin, which tends to be a bit on the cheeky side. I listen as he trades barbs with some of the other boys. If they were at all nervous about the possibility of a raid that night, they did not show it.

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Two young volunteers from Karl’s station operate at a fire in Charlottenburg. 

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Fliegeralarm!”

A sudden shout which came to us via the hole from which the fire pole descended broke the silence. The youths glanced up from their work, eyes darting back and forth. A minute later Karl came down the stairs and said “Listen up, the formation we’ve been tracking has passed east of Hanover. We are probably the target for tonight. Apparently it is a heavy raid.”

The young people nodded, their expressions serious.

“Gather up flashlights and place some onto the truck and then bring the others into our shelter,” Karl said. He gave orders with the rapidity of a machine gun. “Gather up some buckets of sand from the closet and put them near the station doors. Bring your helmets and masks into the shelter with you. And you need to visit the lavatory. Void your bladder and bowels if you can. Should you get struck with a shell splinter in the guts tonight, it’s best to not have anything inside them that can cause an infection.”

The young people scattered in eight different directions to begin work on their assigned tasks. Karl handed me a metal container with a gas mask inside, identical to the ones carried by the firefighters, and also a steel helmet. The helmet looked similar to a Germany Army helmet, but it had the addition of a leather flap attached to the back of it and a reflective stripe painted around it.

“That flap keeps embers from blowing under your collar,” Karl said. “Hurts like hell when that happens.”

I asked if there was anything I could do to help and he said no.

“You’ll only be in the way. Just wait until it is time to go into the shelter.”

I stood along the back wall and watched the young volunteers as they scurried back and forth carrying out their instructions. The older men moved more slowly. For them, the impending raid did not represent excitement, but rather one more thing for them do; one more challenge to face. Their faces bore the looks of men who have seen so much of the depths of the evil that men do that it no longer registered in their minds. They walked with shoulders slumped forward as if the weight of their job keeping the citizens of a city under aerial siege safe pressed down on them.

The tasks completed, we walked down a dark, narrow hallway until we reached a solid oak door. Karl pushed it open with his shoulder and ushered us inside. It was a small, sparse room. Ten chairs, five along each wall, provided the only place to sit. A telephone and a radio occupied a table in one corner and a large, detailed map of the city filled the wall above it. I took a chair and settled in to wait.

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An air raid is a singularly terrifying experience. You sit in near darkness and listen to the shriek of bombs and the thundering blasts of anti-aircraft guns. The building sways when a bomb lands nearby and dust floats down from the ceiling. As your mind envisions every form of fiery death that could happen, you try to think of something, anything, to keep you sane. You grab onto the first pleasant memory you can conjure up the way a drowning man grasps at a life jacket. Your heart pounds almost audibly in your chest as your breath comes in ragged gasps as if a tight band constricted your chest and kept your lungs from fully expanding. That’s an air raid.

Those around me took the raid in stride. When the flak batteries atop the Zoo Tower a few blocks away opened up, one of the Hitler Youth boys said “I guess they’ll teach the Tommies a thing or two.” Karl leaned his head back until it rested against the wall and closed his eyes. Frei smoked a cigarette. Baumann and Fischer played cards. The auxiliaries sat on the edge of their chairs, ready to spring into action with all the enthusiasm of youth.

“So how do you know if you get an assignment?” I asked.

“The phone rings,” Karl said without opening his eyes, “Or if the phone system goes down, they send a messenger by on a bicycle. He knows where to find us back here.”

The sound of aircraft engines penetrated the brick walls of our shelter. Frei looked up for a minute, a quizzical look on his face. After a moment he said “They aren’t dropping over the city center. Looks like Charlottenburg is going to get it tonight.”

Fischer grunted, “Too bad they didn’t drop it on Wedding. Might bump off a few kozis that way.”

I lost track of how much time we were in the shelter. It could have been thirty minutes, but it seemed like thirty hours. Finally the phone rang. Frei grabbed it and said “Fire station” by way of greeting. He scribbled something on a scrap of paper and hung up.

“Where?” Karl asked, his eyes still closed.

“They said just drive west towards the fires,” Frei said.

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The morning sun revealed a landscape of utter devastation. 

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A few minutes later we pulled out of the station. I sat in the cab, squeezed in between Baumann and Karl. The boys rode the ladder truck and the young women traveled on the engine, but they had to stand onto the tailboard and cling to a metal bar. We operated with no lights, and the going was very slow, though we could see fires burning in the distance. Searchlights stabbed at the sky like accusing fingers. Occasionally, we caught the glimpse of a bomber. But mostly we kept our eyes focused on our destination.

“Are you having fun yet?” Karl yelled over the sound of the planes, bombs, and our own engine.

I thought it best not to answer. I looked over my shoulder and barely made out the faces of the four young women; Monika, Elisabeth, Ingrid, and Lotte. I thought I might see fear, but instead I saw excitement mingled with determination in their young eyes.

“Stay near the truck when we get there,” Karl said, “And be careful, there will probably be a gap of about thirty minutes where it will look like the raids over, then they’ll come back to try and catch us in the open.”

Which is exactly where we will be, I thought. When we reached our assigned sector, the heat slapped at my face like an oven. Baumann stopped the engine and the crew threw themselves into their duties with a vengeance. Monika and Elisabeth grabbed a thick hose and dragged it towards a fire hydrant while Ingrid and Lotte uncoiled another section and stretched it towards an apartment building. Flames showed in the windows of the top two floors.

I heard a grinding noise and turned to see the ladder from Frei’s truck extend upwards towards the roof of the building. Fritz and another young man scrambled up as the ladder moved. I looked around for Karl, but did not see him. A minute later, he emerged from the building, pausing for a moment in the doorway as smoke curled around him. It almost looked as though the smoke were wings and he were an angel.

“They’re dead,” he yelled to Baumann. “Let’s go ahead and see if we can knock this fire down and move up the street a bit.”

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For the next few hours, I was treated to the sight of Karl and his crew of veterans and kids alike tackle one blaze after another. I learned that he was right. I found myself so fixated on the fires that I no longer heard the bombs. While a blessing, it nearly proved fatal. At one point, Karl froze and looked up for a second, then he screamed at us to get down. I hit the pavement as fast as I could manage. The explosion lifted me up and then shoved me back into the ground with enough force to empty my lungs of oxygen. It took a few minutes for my ears to stop ringing and my breath to return. When it did, I looked up and saw Karl smiling down at me.

“Bit more than you bargained for, eh?” he asked.

I stood with as much dignity as I could muster and busied myself by brushing dirt off my clothes. It is difficult to describe everything I witnessed this night, as scene ran into scene. I watched these young men and women perform feats of incredible bravery with the skill of seasoned professionals. Every now and then, one of them would flash me a grin from a soot lined face, or give me a nod of assurance. I had to remind myself that had the world not gone mad, they might playing games in the street, or complaining over their amount of work their teachers had given them that day. But here they were, performing a job usually reserved for grown men. But I can’t help but ask myself, at what cost? What will their lives be like when all this is over? Will they ever be able to forget what they’ve seen?

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A few hours after daylight and seven hours after the phone rang at the fire station, we were permitted to return to the station for a two hour period of rest. We stank of sweat, phosphorus, cordite, and smoke. Our lungs were raw. My skin felt sunburned, owing to the intensity with which the fires burned. When we arrived at the station, no one had the energy to walk upstairs to the bunkroom. We collapsed on the floor or on one of the trucks and let exhaustion carry us away. I felt as if I had just closed my eyes when Karl slapped my shoulder and said “Come on. Back to work.”

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Fritz (right) grabs some rest in between alarms. 

Our new assignment was to check shelters for victims, living or dead. I was allowed to put on my gas mask and accompany them into the buildings as we searched below ground level for any survivors. As we entered one large basement, our flashlight beams caught the faces of people sleeping as they sat on two wooden benches along the wall. I wondered why they didn’t wake up and asked Karl if we should shake them or pat them on the shoulder.

“Look at the faces,” Karl said, “See how they have a bit of red in their cheeks? They are dead. Carbon monoxide poisoning. It happens when the fire burning above them uses up all the available oxygen. They are the lucky ones. They just fall asleep. Far better than burning alive.”

As we walked up the stairs and out the doorway, Karl removed a piece of chalk from his pocket. His hand shook slightly as he scrawled “20 tot” on the brick façade near the door.

“Come on,” he said to me, “We’ve got two more blocks to go.”

This is a work of fiction. I wrote this piece as if a journalist did a feature on the fire station where the characters in my novel work. If a reporter spent a night with them, it might have happened this way.

“Where Do You Get Your Ideas?”

Dear Readers,

Forgive me for yet another long delay in posting. I’m still recovering from my surgery whilst also trying to teach two five week courses at the college. I rather doubt that is much of an excuse, but it is the only one I have. Anyway, on to today’s topic. I’ve watched a lot of author interviews and been to a few author readings in my day. One question that comes up quite frequently is “Where do you get your ideas?” Whilst I cannot answer for anyone else, I shall endeavor to explain where the idea for So Others May Live sprang from.

The genesis of my novel came from two places. Back in 2003, I interviewed a man who, from 1944-45, had been a Hitler Youth Auxiliary firefighter. He related a story to me of falling through the floor of a building and landing in the basement in a liquified pool of human fat which was all that remained of the occupants who burned alive as liquid phosphorus from an incendiary ran down into the basement. He was 14 years old when this happened and I asked him “How do you get over something like that?” He looked me dead in the eye and said “You don’t.” I never really forgot this story but it wasn’t one I dwelt on either, at least not until one night eighteen months ago.

I awoke with a start from a dream. In my dream, I saw a crippled Lancaster limping towards the airfield. Three crew members dead. The pilot at the controls, and the remaining three crewmen seated in their crash positions. As the plane inched closer to the ground for a belly landing, the crew began to sing “Nearer My God To Thee.” When I awoke, I lay in bed for several minutes pondering the dream, and then I remembered what the German firefighter told me all those years before. The dream and the interview collided in my head.

I got up and jotted down a few brief things in my notebook so I’d remember it the next day. As I went about my business that morning, I continued to think things over. Slowly, the rough ideas of a plot began to come together in my mind. A firefighter trying to save lives for a regime bent on destroying them. A Lancaster pilot on his last mission before he gets to transfer out of an operational squadron. A fiancé trying to plan for a future that may not pan out. And a woman playing a dangerous game with the Gestapo.

I’m neither an plotter (one who writes out a detailed plot outline) or a pantser (one who just starts writing). I guess you could call me a plantser. I sketched out the format of the book and listed out the order in which each chapter would be written by character name. All I had to go on was a one sentence description of what I wanted in each chapter, and the rest came from the seat of my pants. 96,000 words and one year later I had a finished novel. As to what will come from that, well, time will tell.

L.H.

What’s In A Name

 

Dear Readers,

I’ve finished with a full set of revisions to my novel. It is presently in the hands of some Beta Readers whom I am waiting to hear back from (hint, hint) which will then spark more revisions. After that, it goes to the editor in mid August. My target date for the ready to submit version is November 1, 2018. At that point, I’m not sure precisely what I’m going to do submission wise as I have a few options. Self publishing is an option, of course, but I’m holding on to that as my backup plan. I could always submit it to agents, secure one, and then try to land a traditional publishing arrangement with one of the big houses. This option doesn’t really appeal to me too much for several reasons. First of all, I know that this book isn’t really something a traditional publisher would like. It doesn’t have bestseller stamped all over it. Second, the process to land an agent first would slow down publication by at least a year, if not more and that’s assuming I could get an agent interested in the first place. So what is my plan? I think I’m going to approach some small independent presses. There are some positives, but there are also some negatives (no marketing budget, etc). But overall I think it is worth giving it a shot.

Today, I thought I’d write a short note and explain how I came by my title. I’ve read some cool stories about how some authors came up with the names of their book. I do not have a cool story, but what I do have is the reason for the novel. To get there, I first have to tell you how I came up with the idea for the book in the first place. I awoke one morning with an image in my head of a Lancaster pilot trying to land a crippled plane while the surviving crew huddled on the floor behind him and sang Nearer My God to Thee. This image merged in my mind with a conversation I had with a man who’d served as a Hitler Youth Auxiliary Firefighter during World War Two. This got me thinking about the strange juxtaposition of an occupation in which your job is to save lives in the midst of a destructive war and on behalf of a regime bent on destroying them. As a retired firefighter myself, I know the demands the job puts on those who do it in peacetime. So imagine doing that same job in the middle of a war.

So Others May Live sums up the reasons why firefighters do the job today, just as it sums up the reasons why they have done the job for hundreds of years. Sometimes, the job requires you sacrifice your life on behalf of the greater good. In wartime or peacetime, firefighters stand ready to answer the call. I hope my title captures this and conveys it to the reader. If it does, then I’ve done my job.

Lee Hutch

The Learning Curve

SoOthersMayLive

Dear Readers,

Today I finished the first round of edits to my novel. Technically, I think it is the second round since my wife reads each chapter and marks it up as I finish. What I’ve really been doing is going back through it and mixing her suggestions with a few of my own and also putting it together in one file. Normally when I am working on a project, I make a folder with the project name and each chapter gets its own sub folder. When it is complete, I merge them all into one. I’m sending it out to Beta readers now. Some are reading it for subject matter content (ie: any historical anachronisms, etc) while others are reading it for general flow, characterization, and overall story. Once I receive their feedback, I’ll incorporate it into the next draft. I hope to pass it off to the professional editor in August. Then will come more changes and more drafts. Hopefully it will be ready to submit to agents by the first of the year.

After I finished today’s work, I began to ponder what I’d learned in the year that has gone by between the first typed word and the finished draft. This isn’t my first completed novel, but it is the first that I feel somewhat comfortable with though I know it still needs quite a bit of work. I’m not qualified to give writing advice to anyone, but here are the lessons I’ve learned while I devoted myself to this book. Some of it might be of use to you.

1. Your first draft isn’t going to be perfect! And do you know what? That’s perfectly fine. The trick is to get it down on paper. When I took creative writing courses in college, my instructors always said that good books are not written, they are re-written. Your first draft simply provides the bones. Sure, good bones are important, but you can flesh them out when you start working on revisions.

2. Good research is essential for historical fiction, but don’t get bogged down. I love research. I love diving into the archives, reading old newspapers, interviewing people, and watching old films. This book has its genesis in an interview I conducted in graduate school. The elderly man I spoke with had been a teenage firefighter in Germany during World War Two. After he described a horrific experience to me, I asked him how one gets over something like that. He looked me dead in the eye and said “You don’t.” The dozens of interviews and hundreds of books prepared me to write, but I still found things I didn’t know as I was writing. Rather than stop and go back to the books, I just made a note to myself to fact check the items and kept on getting the draft pounded out. If I had stopped each time to do more research, I’d still be researching and would have no completed novel.

3. Immersion helps with historical fiction. What do I mean? My book is set during World War Two. While I worked on it, I only listened to 1940s music, watched movies from the 1940s, and even listened to baseball games from the 40s. I turned my bedroom into what looks like a squadron ready room (I write in the bedroom). Since I wear 1940s clothes anyway, I got inside the time period as best I could. I do know that this would not work for every historical time period, but for the more recent ones, it is a way to get caught up in the world inhabited by your characters.

4. Bounce ideas off of people. The internet is a wonderful place for writers to meet and exchange ideas and support. There are some excellent Facebook groups for writers in general, writers of historical fiction, and even writers of World War Two fiction specifically. What you’ll find is that other writers will be quick to offer help, encouragement, or ideas. The only person who knows what struggles you go through both internally and externally as a writer is another writer! Writing does not have to be a solitary task. Certainly you are the one putting finger to keyboard, but let others cheer you on. I’ve written stories since I was in elementary school and up until a few years ago, only my closest relatives (and by that I pretty much just mean my wife and cats) knew that I liked to write. I don’t think I was ashamed of it, I just didn’t want people thinking I was…..I don’t know…..weird or something. Well, I got over that and now have no problem “coming out” of the writing closet.

5. But Social Media can be a double edged sword. It is nice to make new friends and interact with other writers, but take care lest social media consume your world. I once lived on Facebook. Now I visit a few times a day, but I take time out for other things too. In fact, when I set out to finish the last 40K words of my novel, I did it in November. To aid me in that endeavor, I took a social media vacation wherein I did not post for the month. I did keep up my cat Anastasia’s page (since she has more followers than I do), but I made no personal posts. The withdrawal ended after the first week or so and rather than spending my time reading stuff, I spent it writing stuff. I met my goal of finishing the book in the nick of time, as it turned out.

6. Life happens, so be prepared. Write what you can while you can. The day after I finished my first draft was Thanksgiving. That evening I ended up in the Emergency Room with a bowel obstruction and spent the next six days in the hospital. I got out, only to return on January 15th with the same problem. This next trip, I had an emergency surgery and spent 19 days in a hospital bed. As it turns out, the surgery didn’t work and I was once again in the hospital for a week in early March. I need a second surgery, a much bigger one this time. Right now it is planned for May when my semester ends, but the problem could reoccur at any time and necessitate an immediate surgery. This is why I was pushing so hard to finish my revisions and ship it off to the Beta Readers. Now I don’t have to worry about that while I worry about my surgery. So my advice is to take advantage of good writing days/times whenever you can. They won’t always be there.

7. Take time for yourself too. Even though you are hard at work trying to write a book, you need some “me” time. Don’t become so wrapped up in your project that you forgo food or human companionship. Step away from the keyboard every now and then. Go for a walk. Go to the library. Play with your kids or pets. The exercise will do you good and help clear your head. Since I’m a college professor, my lecture days provide me with an outlet to move around and interact with others. Writing is important, but so is your family. I’m fortunate that my redheaded wife supports my creative endeavors, but that doesn’t mean I can lock myself in my room 24 hours a day. No matter how many words I’d written that day, each evening at around 6pm, we’d sit on the front porch of our 1932 bungalow a few blocks from Galveston Bay and discuss our day. Sometimes we’d discuss my writing, but more often we talked about anything but writing.

8. Try to limit the self doubt. Easier said than done, I know. I’m the world’s worst at laying in bed at night and thinking of all the things I suck at and replaying every negative event in my life. It is tempting when reading a well written to novel to think “I’ll never write as good as this. I should just give it up.” If you have a sliver of talent, you’ll get better every day. Writing, like anything else, takes practice to master. If you read authors who write numerous books, often you can chart their own development across the years. As a writer, all you have to fear is your own mind. Don’t engage in negative self talk and pull yourself down. That doesn’t mean you should travel with an admiring entourage either. Be realistic but be realistic. If you are just starting out, don’t assume that because you don’t write like [insert your favorite author here] that you’ll never amount to anything. I’d be willing to be that your favorite author probably felt the same when they started out.

9. Finishing the book is a success. Am I working towards getting my novel published? Absolutely. Will I cry in my beer if it doesn’t? No, for two reasons. First, I don’t drink alcohol. Second, by finishing the book I’ve already accomplished more than most who start out to write a novel. If it never leaves the binder I place the printed pages in on my bookshelf, I’ve still done something worthwhile. I don’t write for fame, money, or adoring fans. I’m actually a fairly private person. I write because I don’t know how to not write. The urge to write/tell stories comes from deep within my psyche and has been there as long as I can remember. I finished the novel, anything that comes after that is simply a bonus.

10. When you finish one, start a new one! I finished So Others May Live in November and set it aside for several months. I wanted to be able to look at it with fresh eyes for the editing round. That doesn’t meant I twiddled my thumbs. I had already plotted out another novel and so I started on that one. It is also historical fiction, though not WW2 era. When that one ends, I have a mystery novel plotted. I’ll keep writing as long as I have the strength to tap the keys. Someone out there in this big old world is waiting to read your story, so don’t let them down.

So that’s it, Dear Readers. I hope that you might find what I learned to be useful. Good luck and happy writing.

L.H.

 

The Job That Never Ends

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Dear Readers,

Please allow a brief explanation of my lengthy absence. As you may know if you follow the blog regularly, in November I was hospitalized with a bowel obstruction for around 6 days or so. In January, I was set to start my new gig as a temporary full time history professor. I did the new hire orientation and in-service week with no problems, but then the Sunday night before the semester started, my obstruction returned with a vengeance. I had an emergency surgery and spent 19 days in the hospital. I got out and had to get caught up on a missed 2 1/2 weeks of class all while still recovering from my surgery. I have a nice six inch incision in my abdomen (which I will spare you pictures of). I had just started to feel myself again when on March 2nd, my anniversary no less, the obstruction came back again! That day just happened to be my tenth anniversary. My wife and I spent it in the E.R. I need another, much bigger operation now, but the doctor says I can try and wait to have it when the semester ends. Here’s hoping my small intestine cooperates.

Now on to today’s subject. As you know, I finished my novel So Others May Live in November. I set it aside for several months. Now is the time to sally forth to do battle with the written word. I’m going through the revisions process, after which it will go to some beta readers. After I incorporate their feedback, it will be time for a professional editor to take a crack at it. I wouldn’t say it’s a great book, but I do think it is, or at least has the potential to be, a good one. It’s sort of like I say that I am not a historian, I’m just a halfway decent storyteller.

In a previous post, I discussed sources I found particularly useful while doing the research. As part of my revisions, I’m chasing down some information that I need to nail down, things I didn’t stop to look up while I was involved in writing. These are all questions that came up once I began to write. What you see in the above photo is around 1/4 of the print sources I consulted during the research process. It does not include official documents, maps, navigational charts, notes from two dozen interviews, photographs consulted, documentaries watched, and, for fun, period movies and music. I go full on immerse when writing historical fiction. When writing about World War 2, I only watch wartime era movies and listen to wartime era music while working in my bedroom which is decorated something like a squadron ready room (complete with the famous Betty Grable pinup photo).

How much research is too much? I don’t quite know how to answer that. You have to do enough to get it right. I owe it to those who lived through the events I describe to get things as close to accurate as I possibly can, for all its beauty and horror. At my writing station, I have the following excerpt from the Randall Jarrell poem Losses taped to my desk as a reminder of the importance of doing right by those who died.

In our bombers named for girls, we burned the cities we had learned about in school

Till our lives we out and our bodies lay among those we had killed but never seen

When we lasted long enough, they gave us medals. When we died, they said “Our casualties were low.”

After much consideration, I have decided to dedicate my book in the following way:

This book is dedicated to all those who seek humanity in the midst of inhumanity; and to the men and women of the fire services of the world who still give their all So Others May Live.

Lee Hutch

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So Others May Live

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Dear Readers,

As most of you know, I completed my World War Two novel tentatively titled So Others May Live in November. In the nick of time, as it turned out, as I ended up in the hospital for six days over Thanksgiving Break. If you are new to this blog, I wrote a whole series of posts called Reaping the Whirlwind which details the writing process and you may read an excerpt from said novel here, but be warned, it is graphic. Anyway, I thought I’d give you a list of some of the sources I utilized during the writing of said novel. This is not an exhaustive list by any means and I’m leaving some stuff out, but here is your World War Two reading list, particularly relating to the air war and the German Civil Defense system.

General Histories

These are general World War Two histories.

Burleigh, The Third Reich: A New History

Allen, The Nazi Seizure of Power

Shirer, The Rise and Fall of the Third Reich

Hastings, Inferno

Hastings, Armageddon: The End of the War in Europe

Weitz, Weimar Germany: Promise and Tragedy

The Air War and It’s Impact

Knell, To Destroy a City

Friedrich, The Fire

Friedrich, Brandstatten

Hastings, Bomber Command

Crayling, Among the Dead Cities

Wilson, Bomber Boys

Wilson, Men of Air

Lowe, Inferno: The Fiery Destruction of Hamburg

Middlebrook, The Berlin Raids

Everitt & Middlebrook, The Bomber Command War Diaries

Wartime Berlin/German Home Front

Read & Fischer, The Fall of Berlin

Beck, Under the Bombs: The German Home Front 1942-1945

Grunberger, The Twelve Year Reich

Johnson, What We Knew

Moorhouse, Berlin At War

Mayer & Evans, They Thought They Were Free

Selby, A Serial Killer in Nazi Berlin

German Military

Since the firefighter character spent time in the Germany Army before being returned to his pre-war occupation due to wounds, it was important to bone up on German military attitudes, etc.

Knappe, Soldat

Neitzel & Welzer, Soldaten 

Koscherrek, Blood Red Snow

Bellamy, Absolute War

Reese, A Stranger to Myself

Cooper, The German Army 1933-1945

Fritz, Frontsoldaten

Beevor, Stalingrad

Sajer, The Forgotten Soldier

Wartime London

Gaskin, The Blitz

Gardiner, The Blitz: The British Under Attack

Longmate. How We Lived Then

Todman, Britain’s War

Ingham, Fire and Water: The London Firefighter’s Blitz, 1940-42

Novels

Why novels for research? There are a couple of reasons. First, from a professional standpoint, they teach be about plotting, creating characters, etc. Second, they often include historical nuggets that I can follow up on in non-fiction books.

Ledig, Payback

Remarque, All Quiet on the Western Front

Remarque, A Time to Love and a Time to Die

Deighton, Bomber

Bird, London’s Burning

Frei, Berlin

Gillham, City of Women

Misc

Thankfully I was able to view several pieces of film footage shot of German firefighters during the war, including a “how to put out an incendiary fire” video. In addition, there are tons of documentaries on YouTube about the London Blitz, life in Nazi Germany, the Bomber War, etc. Far too many to list here, but I probably watched 50-60 hours worth of them and took notes.

In graduate school, I had the opportunity to interview some individuals who had worked in the German Civil Defense system during the war, either with the Luftschutz or as auxiliary firefighters/rescue workers. My notes from those conversations helped me craft a logical response from the Berlin fire brigade to air raids. Or at least I hope it did.

I also made use of some maps of wartime London and Berlin to help give me a handy reference when dealing with directions, etc.

Again, this list is not comprehensive. My World War Two library alone includes 500 volumes (it totals a little over 2,000 when you add all the other books). If any of you are interested in this subject, the list above provides a good place to start.

L.H.

 

 

 

 

 

 

Of Box Alarms and Phrases: The Historical Origins of Some Fire Service Terms

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Friends,

With my previous post about a historically significant fire in Houston, Texas, I thought I’d revisit the subject of fire service history. Fire departments are big on tradition, and a lot of the terms in use in some areas today have very old origins and harken back to the days of wooden ladders and leather lungs. Helmets, for example, are usually a firefighter’s most iconic piece of equipment, especially the traditional style (as opposed to the salad bowl type). When I was a humble fireman, my department issued us the “modern” style helmets but allowed us to purchase our own, so long as we stuck to the department color requirements. (Yellow for firefighter, red for captain, white for chiefs). Most of us purchased our own. Mine was a Morning Pride traditional helmet called the Ben Franklin. Why? Because Franklin was once the chief of a volunteer fire company! I went through a couple of different helmets, all the same style. When I was an arson investigator, I wore a leather Cairns New Yorker which has, other than a few modifications, been the same helmet for 168 years. Cairns began to make helmets in the 1850s and prior to that, made leather helmet shields going back to the 1830s. Ah yes……tradition! Thankfully I still have my arson helmet and one of my firefighter helmets. They make for nice conversation pieces.

Keep in mind that what I discuss below may vary from department to department. Some use all of the terms, others may use none of them. Not only that, but the meaning of the terms may vary as well. The meanings and origins I give are the originals, rather than how they’ve morphed over time. Though the fire service is strong on tradition, things do change no matter how resistant some may be. Change comes slowly, but it does come. So without further ado here are some historical terms still in use.

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Box Alarm/Assignment: This is a holdover term from the days of telegraph fire alarm systems which existed in most major cities. Alarm boxes like the above stood on street corners. Should a citizen witness a fire emergency, they could hurry to the nearest box and pull the lever. This transmitted a coded series of numbers by telegraph to the central alarm system. The dispatcher reviewed the box number (which corresponded to an intersection), and then selected a punch card which had the apparatus assignments for that intersection. The punch card was fed into a second telegraph which sent the box number to the stations assigned to that intersection. Meanwhile, at the station, the alarm bell would ring to notify the station where to go. Let’s say it was box 427. The bell rang four times, pause, two times, pause, followed by seven times. It may sound complicated, but alarms could be transmitted from alarm box to station in seconds and, believe it or not, horse drawn apparatus often cleared the floor in less than 30 seconds! Though the FDNY doesn’t use fire alarm boxes (thanks to things like cell phones), they do use box numbers. Boston, however, maintains their fire alarm boxes as a redundancy should their 911 system fail. In my hose dragger days, I typically heard the term Box Alarm to denote a working residential fire with a Heavy Box used for commercial buildings or multifamily dwellings.

(Note also, however, that ambulances are commonly referred to as “the box”, not to be confused with “box alarm”.)

Antique Wooden Telephone

Still Alarm: As telephones became more commonplace, fire departments began to receive calls by phone, along with calls from alarm boxes. If a call came in by phone, it was called a “still alarm” because it didn’t ring the bells at the station. In other words, the bells were still. Though not as commonly used today as “box” is, it is sometimes and by some departments used to refer to fire alarms, medical calls, etc, in other words, anything not a box alarm.

Ready to be confused? You can still a box and you can box a still. If a still alarm turns out to be a working fire, then an officer may box a still, in other words, convert it to a box alarm assignment. Conversely, if a box alarm turns out to be a fire alarm, an officer can still the box, ie: downgrade it to a still alarm assignment.

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Tap this location out: This one is still very common in my area. When an assignment is complete, or nearly complete, the ranking officer will radio the communications center and say “Tap this location our holding units on scene (or a specific unit).” Again, this harkens back to the good old days of the aforementioned fire alarm boxes. Fire department officers carried keys to the boxes and when an assignment ended, they would open the fire alarm box and use the telegraph inside to tap out a message to Central Dispatch, hence the “tap this location out”. I cannot state this as a fact, but apparently the keys were shaped like a “J” and might be the origin of the nickname “jakes” for firefighters. Part of me wonders how many officers, especially the younger ones, know the origin of this phrase since they have mostly likely used, or at least heard it, before. I guess I can say the same for all these phrases.

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I’m sure that there are some other terms or phrases that I’m forgetting or that even I don’t know the origins of, though I try to stay up on my fire service history. When I was in graduate school, my favorite paper to write was the one about firefighting in Colonial America. I learned a lot of interesting things, though when I shared them at the fire station, the guys were underwhelmed by it all. Their loss, not mine. When it comes to firefighting, I think you can truly say that the more things change, the more they really do stay the same. Assuming that the world is still here in 100 years, I imagine some fire service historian will write an article on all the quaint terms from today that will still be in use.

Hutch